Head-Hopping is Making My Head Spin!

 

There are hundreds of rules when writing a novel that a writer has to follow to get through the slush pile. Rules that I would venture to say most readers have never heard of (unless they are writers themselves).

Head-hopping seems to be the LATEST ‘NO-NO’ on a really long list of Taboos that writers MUST follow. But even a lot of editor’s CAN’T AGREE on when it occurs, especially in Third Person Omniscient POV, which is the POV I generally use. So how am I supposed to avoid it when I can’t even get a straight answer?

Head-hopping is my biggest pet-peeve and is probably why I will never be published. Head-hopping is when the writer suddenly changes the character point of view. There are obvious instances, but it’s the subtle changes that trip me up. I just don’t see it.

As a reader, it doesn’t bother me, or at least it didn’t until I heard about it.

I read a book and if I like it, then fabulous! And chances are, I have probably run across lots of head-hopping and never even noticed.

Take apart any work of fiction and you’re going to find it: Stephen King, Hemingway, Nora Roberts…the list goes on. They’ve all been guilty of head-hopping and survived the critics. The caveat I’ve heard is “that they’ve done it well, and the reader doesn’t even notice.” Huh?

But it’s supposed to be a cardinal rule! A giant mistake! It will get your manuscript tossed in the trash can at the first instance (or so I’ve read).

Here’s the way I look at it (and I’m probably wrong, so don’t listen to me – I’m not published):

Head-hopping is a guideline…A GUIDELINE. There are lots of editors and bloggers that will tell you that it’s a cardinal sin and will ruin your career before it’s even started. And they may be right. I mean, they’re the gatekeepers, right? They make the rules and as writers we have to follow them. But like I said before, even THEY can’t completely agree on it!

I understand that they are just doing their job, following their protocol. I’ve just gotten so frustrated with the publishing process lately. As soon as I think, “okay, I’ve got this,” I find out something else that I’m totally missing. Getting published seems further and further away every time I go deeper into that rabbit hole.

Back to the drawing board.

Head-Hopping…Ugh!

What’s your two cents on head-hopping? And if you aren’t a writer, have you ever noticed it when reading?

Writing Without Fear

 

My latest WIP has been a bit of a challenge. I’m a panster, not an outliner which can be both freeing and completely stifling.

I usually start with an idea for a character, or characters, and then build a story and plot around them. I know, it’s backwards, but it’s the way my brain works.

I’ve started my current WIP three different times.

First, the plot wasn’t strong enough, so I set it aside. But the characters kept talking to me, and telling me they had a story to tell.

So I picked it up again. I tried changing the plot and making it more appealing, and it seemed to be working for a while. But it was still missing something and I couldn’t put my finger on it, so I set it down again.

The third time I picked it up I realized that the story was focused around the wrong character. I was trying to make a supporting character the protagonist. One of the side characters had a much better story to tell and made a much better protagonist: the kind you want to root for even when you know they’re going to fail miserably.

So I started over…again.

I also decided to write with a different approach. No editing. No rereading. Just keep writing. I know that means there will be a LOT more editing at the end, but it’s been kind of fun writing without fear.

I’m also writing completely prepared to cut out scenes, even chapters if necessary. Many times, as writers (or at least it’s this way with me), we’re reluctant to take out scenes, especially the ones that we really love. We don’t want to let go of them. But this time I KNOW there is going to be changes, and I’m good with that. Sometimes as I’m writing a particular scene, I may have an idea that it may not make it to the final cut. I’ve even found myself thinking “that doesn’t fit there” or “that chapter really sucked.” But I just keep writing.

This WIP has turned into a sort of writing exercise in free writing. Who knows if it will work? I’m not sure what I’m going to gain from it, but I’m not afraid even if the whole thing needs to be scrapped. As long as I finish it, then I will have reached my first goal.

Writing without fear may turn into editing without fear.

What do you do when a WIP isn’t working? Do you scrap it or do you try to re-work it? Are you a panster or an outliner?

Wanted: Literary Agent

I received another rejection for my manuscript today. I’ve heard that’s supposed to be a good thing, that you should file your rejections away somewhere so that you can learn from them. But it still stings, and is very frustrating. Sometimes I wish there was a sort of “dating” website for literary agents.

I wish I could place an ad, send it out to the literary universe, and then wait for the agents to find me.

Wanted: Literary Agent for dedicated writer. Women’s fiction writer seeking agent for long and profitable relationship. If you represent character-driven, female-centric stories, please contact me. No sparkly vampires, no over-the-top supernatural plot lines. If you like flawed characters that fight with their inner demons, or females who join forces to make their lives better, then let’s talk.

But, sadly, that’s not the way it works. It’s not that I haven’t done the research, because I have, and will continue to do so. But the odds of finding the RIGHT agent that represents what I write AND that is accepting new clients AT THE VERY MOMENT that I query, seems more and more to be a real luck of the draw.

I appreciate all of the “How I Found My Agent” posts that I read, but they really aren’t very helpful, because finding an agent is such a unique and individual experience. Sure I can learn from someone else’s experience, or their mistakes, but the odds that their unique situation will be remotely similar to mine are rare. Not to mention that most of those posts or articles are written by people that got an agent within their FIRST FEW queries. Rarely do I read one that says, “After 175 (or more) queries, I finally got an agent.” THAT’S the story I want to hear.

I know this is just a fantasy, because, let’s face it: most agents aren’t looking through the want ads for new authors to represent. They don’t have to. They have more than enough authors seeking them. They’re like the hot guy on Tinder who gets swiped more times than he swipes. It’s just a fact. The “slush pile” is real.

But it’s sort of fun to pretend that a literary agent would actually be seeking me. A girl can dream, can’t she? I’ll keep reaching for the brass ring until I find my perfect match.

End of NaNoWriMo

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It’s almost the end of November which also means that you should be reaching your 50,000 words if you participated this year. If you have, Congrats! Most people will never even start a novel their entire lives, so kudos for reaching such an amazing goal. #gonanowrimo

I wish I could say that I reached it with you, but unless I’m going to be able to write approximately 35,000 words in the next few days, then I won’t quite make it this year. But I’m okay with that. #nanowrimofail

I had a lot on my plate with month which encroached on my creative time.

Writers participate in NaNoWriMo for a lot of different reasons. Some start a novel from scratch, some use it to finish a current WIP, but whatever your purpose, it’s a great launching pad.

I used it to find out that the manuscript I was working on was meandering and really going nowhere. I’m a “Panster” and not an “Outliner,” so it’s a risk I always take when I start a new story. #panstersunite

The problem with my current WIP?

I was being way too nice to my characters. I needed to rough them up.

My premise is good and my characters have good bones, but those bones need to be broken, put in a sling and broken again to make an amazing story. Characters need to fight for something, whether it’s a moral dilemma, a physical challenge or a person who is standing in the way of their goal. That’s what keeps readers reading.

So I did the unthinkable, something they tell you not to do…I started editing. Instead of having a side character as a handsome love interest, he became the main character’s nemesis, brash and insulting to her respectability. The story now has so much more depth and is, quite frankly, more fun to write.

Maybe now the ideas will start to flow, and I can take all the baggage from my messy November and channel it into my WIP.

Did you reach your 50,000 words?

What To Do with That Unfinished Manuscript?

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If you’re a writer who’s been at your craft for a while, chances are you have several manuscripts that are unfinished. To date, I have several Manuscripts in some sort of “process.”

By that I mean, several are completed, as in they have a beginning, middle and ending. But they’ve never been professionally edited (can’t afford it), so they sit waiting “to be discovered.”

But then there are those “other manuscripts.” I have at least 4 of them that are around 7000 words, but they ran out of steam, each for different reasons. And you probably have some of those too.

Before you consider the paper shredder or having a bonfire, try something else.

Idea #1 – set it aside for a few months – Reread it, and maybe the flaw will come jumping out at you. Maybe you’ll realize that Robert couldn’t possibly be the murderer, because you forgot that Sheila murdered him in Chapter 3.

Idea #2 – Pull it apart – Maybe you have one really strong character and the rest are boring and uninspired. Maybe it was a mistake to place Amara the Elf in the same story as Arabella the English House Maid? Hey, it could happen. Maybe Amara is just in the wrong story?

Idea #3 – Research. Reasearch. Research – Maybe you haven’t done enough research on the topic you’ve chosen to write about? Maybe you don’t know as much about ancient basket weaving as you thought you did?

Idea #4 – Setting  – Change the setting. Maybe your lovers shouldn’t meet in the middle of a Western bar fight? Or maybe they should, but maybe they shouldn’t be lovers at all. Maybe they should be long lost siblings?

Idea #5 – Conflict – Maybe there’s too much? Maybe there’s not enough? Maybe the conflict is passive? Maybe you’re being too nice to your main character. Maybe she needs to fall off a cliff, get hit by a car, get thrown in jail, or all three at the same time?

Idea #6 – Dig deeper – Maybe your story isn’t working because you don’t care enough about your main character? Maybe you don’t know her as well as you thought you did. Maybe you need to work on her back story a little more. Maybe you need to find her Achilles heel and kick her in it…hard. Make her bleed (figuratively or literally depending on your genre) for something, or for someone. If you don’t feel her pain, your audience won’t either.

Idea #6 – Last resort – Shred it – It’s extreme and it’s painful, but maybe it needs to be done (though I don’t recommend it). Maybe the story isn’t working, because there is no story there? Maybe it really is just an “idea?” Maybe you just have the bones of a story, but there’s no meat on them. It’s hard to admit, but it happens.

 

Whatever the case may be, I would only resort to Idea #6 if you have a strong constitution. I don’t think I could ever destroy my work, not matter how cheesy it is. There’s an audience for it somewhere. Maybe you could include it in your biography when you’re rich and famous? Or maybe an MFA program would want it for a “What NOT to Do…” course?

I’m not a professional, and I’m not a published novelist (yet). This post was for me as much as it was for others. Maybe we could learn together. Feel free to share any hints that have helped you get back on track with your dormant manuscripts.